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Mirabelle Jones – What Happens Next Will Be Documented By Images and Texts – Dec 14 – Jan 1

Right Now in the ATA Window Gallery, AP/SE 7 (Video Edition) concludes with Mirabelle Jones in What Happens Next Will Be Documented by Images and Texts:

What Happens Next Will Be Documented by Images and Text is a series of performances composed by an artificial intelligence and performed by a human. In this twelve hour durational performance, Jones will live stream a series of impromptu performances written by GPT-3: the largest language model in existence. The performances were generated in response to the prompt “An idea for a performance art piece:”. OpenAI’s GPT-3 uses machine learning to produce texts which are difficult to distinguish from those by humans. The language model was trained on the largest dataset of any to-date including articles, books, blog entries, and other texts sourced from the internet. As a result, however, GPT-3’s text sometimes reflects the statements and ideas of the internet and its human authors including biases, prejudices, and sometimes hateful or toxic output. This has resulted in some controversy around GPT-3 adding to existing concerns about artificial intelligence’s increasing presence in our lives. This series of performances touches upon these issues as well as the relationship between technology and the body, authorship and identity, and AI creativity vs. reproduction ultimately asking: what makes performance art performance art? What works of performance art might an artificial intelligence generate? And what can those performances tell us about ourselves and the words we immortalize online?

Adrian Pijoan – Visions of Homeworld Dec 6-10

AP/SE 7 continues with Adrian Pijoan’s Visions of Homeworld:

Visions of Homeworld explores the Reptilian homeplanet as seen through the eyes of Terry, a shapeshifting Reptilian who has spent his entire life on Earth working a 9 to 5 office day job. This is the Reptilian homeworld as it appears to Terry in his dreams and childhood memories of its futuristic cities, majestic mountains, thermal vents, and twin suns. The Reptilians are frequently depicted as a purely evil extraterrestrial species in the world of UFO research, and they have featured heavily as the villains in rightwing conspiracy theories in recent years. Visions of Homeworld is one part of a larger body of work where I explore the Reptilians in a more empathetic light to reclaim these beings and offer a gentler vision of extraterrestrials.

Squid Ink – Under Siege – Dec 3-5

We’re pleased to continue AP/SE with Under Siege, a performance video by Squid Ink:

“Squid Ink is a four piece band from Fresno, CA. With members Amber Williams (vox/guitar), Vishinna Turner (bass/vox), Audrey Johnson (drums), and Janell Bowen (bass); blending the sounds of grunge, punk, and riot grrrl. Squid Ink creates music to combat the white supremacist, capitalistic dystopia we live in.”

Jenell Del Cid – Plastic Flower – Nov 30-Dec 2

We are excited to welcome back Janell Del Cid in this year’s AP/SE lineup with her videoPlastic Flower:

“Plastic flower is a myth/fairy tale examining not only bigotry and hatred but also the escape into the fantasy plastic world of our own curated media environments. The sometimes therapeutic effects of our fantasy worlds but also the inrush of grim reality that finds us no matter how far we plunge into our social media comfort zones.”

Lawrence Lindell, Nov. 27-29

Almost-Public/Semi-Exposed continues with Griot Sonata and documentation from his Noise met Sound Live Performances:

“Lawrence Lindell is a cartoonist, zinester, musician and educator from California. Lindell has been involved with DIY publishing for close to a decade and runs Laneha House with his partner in the Bay Area. Lindell founded The BAYlies in 2018 and Noise met Sound in 2013. Lindell’s work focuses on Mental Health, Blackness and Queerness.”

FS172020 Covid 19 Edition Nov. 17-19

Claire Bain, Evelyn Eeling, and Alfred Hernández return with a distanced version of FS17:

“FS172020 COVID19 Edition” is the latest in a line of performative works developed by Claire Bain and Alfred Hernández, a result of two decades of collaborating performance. FS17 in this case can best be described as Figure Streams. Guest artist Evelyn Eeling performs dance with us in cubicle spaces at Art Explosion studios, to echo the cube box form of ATA‘s window. Alfred Hernández could not perform in person due to transportation issues caused by COVID-19, so he was present via Zoom. Metaphors galore, with a through-line of red. A silent, 13 minute condensed version of the original 45 minute performance.

Alien Mac Kitty Nov 14-16

Right now in the ATA Window Gallery, a selection of videos by the great Alien Mac Kitty:

“Straight from outer-space to San Francisco! My name is A.M.K which stands for ALIEN MAC KITTY. I make vibes for beings like myself and unlike myself. I’m just here to shift and uplift. My goal is to connect beyond the physical with LOVE. Feel free to follow my IG- ALIENMACKITTY & catch these vibes. LOVE YOU.”

Elena Dianda Nov 11-13

Right now in the ATA Window Gallery, AP/SE 7 [Video Edition] gets off to a start with Elena Dianda’s IN HER OWN IMAGE:

Eliana Dianda is a writer and visual artist currently based in San Diego. Her most recent work, IN HER OWN IMAGE, is a three-part series of performances for camera. The work embodies her research on how contemporary female performance and musical artists appropriate Catholic symbols and rituals to create a more expansive female futurity. In these performances, she also explores the trauma from her Catholic faith and education backgrounds as a queer, mentally ill woman.

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Submissions for AP/SE 7 Now Open

Call For Entries: Almost-Public/Semi-Exposed 7* [Video Edition] and Almost-Public/Semi-Exposed 7.5 [Delayed Edition]

Each November, Artists’ Television Access hosts Almost-Public/Semi-Exposed our annual showcase of public facing performance art installed in the ATA Window Gallery. For the past six years we have presented a wide spectrum of performances including durational dance, physical endurance art, Butoh, avant-garde burlesque, living sculpture, ritual performance, performative writing, experimental music, art games, and other performance forms to crowds that would gather around the window to take a break from their errands, shopping, and dates to take in an unexpected art experience.

Due to the uncertainty of the Covid-19 pandemic we don’t feel comfortable risking performer and audience health by proceeding with our normal November of live performance. We’ve decided to split this year’s Almost-Public/Semi-Exposed into two sessions, a November session dedicated to performance video and a delayed Spring session marking the hopeful return of live performance to the ATA Window Gallery.

November, 2020 – Almost-Public/Semi-Exposed 7* [Video Edition]:

We are seeking submissions of performance videos to install in the ATA Window Gallery for our annual performance month. Each video will loop on a monitor for 24-48 hours giving artists a dedicated spotlight. Selected artists will receive a stipend for their work. 

April, 2021 – Almost-Public/Semi-Exposed 7.5 [Delayed Edition]:

We are seeking proposals for live performances to be performed in the ATA Window Gallery for a delayed edition of our annual month of live performance. Artists will be given 24 hours to install, perform, and de-install their performance. Selected performers or collectives will be given a stipend for their work.